What virals do you want to create?

Made to be shared, not just watched.

Frequently Asked Questions

Everything you need to know about the CloneViral Agent

An AI video agent is an assistant that plans and produces a video for you instead of exposing a timeline and asking you to edit. You describe the outcome in plain language; the agent decides the shots, writes the script, picks the models for image and video generation, adds voice and music, and hands back a finished cut. The work happens in a conversation rather than in a tool you have to learn.
A generator turns one prompt into one clip. An agent handles the whole production: it breaks a brief into scenes, keeps a character or product consistent across them, chooses a different model where a different model is better, and revises when you say what is wrong. You judge the result and give feedback in words, instead of re-prompting each clip yourself.
Yes. Describe the product, the audience and the format, and the agent produces UGC-style ads, product spots and social cuts in the aspect ratios each platform expects. Because a brief is reusable, one campaign concept can be turned into a set of variants without rebuilding it each time.
You stay in control. The agent runs the multi-step work on its own — planning, generating, assembling — but every stage is visible and every result can be sent back with a note on what to change. It is autonomous in execution, not in taste.
CloneViral Agent Mode is a video production run by an AI director. You describe what you want in plain language; it plans the shots, writes the script, generates the images and clips, adds voice and sound, and assembles the cut, while you watch each step and say what to change. Every paid step is quoted before it runs and charged only when the file arrives, so letting it work through a long production never means losing track of what it costs.
Most tools stop at one clip: you prompt, you get a result, and turning those results into something finished is your problem. CloneViral runs the production end to end and holds a character, a product or a look consistent across it. And it is built so that you can let it run — each step's cost is shown before it spends, you decide which steps need your approval, and failed work is never charged.
No. There is one director. It loads the procedure that fits what you asked for — shot planning for anything longer than a single clip, a talking-head routine for a person on camera, a UGC structure for ads, art direction when the visuals have to match across shots. You describe the outcome; choosing the method is its job.
No. Every generation is quoted before it runs, the quote is held against your balance while the work is in flight, and you are charged only when the file actually arrives. Work that fails costs nothing, so there is nothing to refund.
You decide how much it may spend on its own. In Step mode every paid action stops first and shows what it will run and what it will cost, with Approve or Decline, and you can edit the call before approving it. In Auto mode it works within a per-action threshold and a run budget you set. The cost is always shown before the spend, never after.
Nothing stops. The run belongs to the server, not to the browser tab. Close it, refresh, or come back on another device — generations keep going and the conversation is where you left it, including a reply that was half-written when you left.
It looks things up. Anything that changes — what is trending on a platform, a model's real specifications, what a brand actually looks like — is a search with sources rather than a recollection from training data.
Onto a board beside the chat. Images, clips and audio land there as they finish, and so does the written work: scripts, shot lists, briefs and lyrics are assets too, not messages you have to scroll back to find. Everything on the board can be opened, edited, re-run and downloaded.
Neither. There is no timeline to master, no node graph to wire up and no API to configure. If you can describe what you want, you can make it — scene composition, timing, transitions, voice and music are the director's job, and you steer it by saying what to change.
Short-form videos of most kinds: viral TikTok and Shorts content, UGC ads and product demos, talking-head explainers and testimonials, cinematic scenes, ASMR and satisfying loops, character animation, music videos, and the images, voiceover and sound that go into them. Describe the piece and the platform it is for, and it works to that format.
Anyone who has to publish video regularly: creators and KOLs keeping a posting schedule, social and performance marketers producing ad variants, founders and small businesses without a production team, and agencies scaling client work without scaling headcount. For most of them it replaces a video editor, a stock library and several single-purpose AI tools with one conversation.
Images come back in seconds and video clips in minutes, and independent steps run at the same time — four scenes are four jobs in parallel, not four rounds of waiting. A single clip is usually a few minutes end to end; a multi-scene piece with voice and sound is longer, and you can leave while it works.
Say what is wrong and it revises. You can also go back to any earlier message and branch from there — the version you had is kept rather than overwritten, and you can switch between them. Regenerating one shot does not mean rebuilding the piece around it.
It runs on credits. Subscription plans include a monthly allowance, and subscribers can buy additional credit packs. What a generation costs depends on the model, the resolution and the duration, and you see that figure before the step runs; conversation turns are billed at what the model call actually cost. Failed work is not charged. See the pricing page for current plans.

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